Earth my altar~ Mind the garden~Sky my home

charislogia:

colorschemer; appalachianlovesongs:

Hung out in this joint all day yesterday. #jamesriver #appalachia #virginia #naturalbridge #riverrat

charislogia:

colorschemerappalachianlovesongs:

Hung out in this joint all day yesterday. #jamesriver #appalachia #virginia #naturalbridge #riverrat


Amir Zaki(American)
Tree Portrait #29, from “Time Moves Still”
Ultrachrome Archival Photograph   Copyright - Amir Zaki 2012


Amir Zaki
(American)

Tree Portrait #29, from “Time Moves Still”

Ultrachrome Archival Photograph   Copyright - Amir Zaki 2012

(via iloverainandcoffee)

ayablume:

Daughter :: Get Lucky (Daft Punk cover) 

(Source: youtube.com)

galasai:

Camila Massu
Swimming in the Rain, 2012

galasai:

Camila Massu

Swimming in the Rain, 2012


Cypress, Pebble Beach, California. Gum bichromate print, Henry Ravell, 1910s (via The Metropolitan Museum of Art)


Cypress, Pebble Beach, California
. Gum bichromate print, Henry Ravell, 1910s (via The Metropolitan Museum of Art)

(via iloverainandcoffee)

workman:

bartleby-company:
Eva Hesse, Untitled, 1967. Ink on graph paper, 11 x 8 1/2 inches (27.9 x 21.6 cm) © The Estate of Eva Hesse, Hauser & Wirth Zürich London

workman:

bartleby-company:

Eva Hesse, Untitled, 1967. Ink on graph paper, 11 x 8 1/2 inches (27.9 x 21.6 cm) © The Estate of Eva Hesse, Hauser & Wirth Zürich London

(Source: artingeneral)

louisezhang:

Fabian Marcaccio, Corpse- Variant Paintants exhibitionCologne Gallery Schmidt Maczollek, 2011

I watched/been watching this video quite frequently since discovering Marcaccio a while ago, mainly that epic 3:28 sequence of the enviroment paintant. It’s pretty yum (and a wee creepy) especially if you’re inclined towards painting or ‘expanded painting’. 

Love his last words on the possibility to have a more holistic view in painting, beyond the formal skills on mastery

“So perception and expression should be kept apart. Connection between them is semiotically important only when we, finding that conscious ideas are above all visual, presume that they can be represented on a picture more closely than in words, as the visible. In the present case, to define the subject clearly, we have to give up the connection between perception and cognition on the one hand, and expression on the other hand. Obviously we see the real world in one way, and express it in another way. Obviously central perspective does not correspond to our actual perception of space. The dependance of presumable sight on the conventions and traditions is hypothetical and is always estimated according to the aspects of visible (beautiful, good, useful). We can only depart from what is given, from the pictorial representation, because it is not connected with vision immediately, and in many ways surpasses the threshold of perception.”
— Virve Sarapik, A Verbal Space – Intersecting the Visible (via louisezhang)
cinoh:

“She’s attempting to complicate these big ideas—around identity, around urban space, maybe even ideas around what an artist should think about.” The Wall Street Journal profiles Ellen Gallagher, whose first major New York museum exhibition opens on Wednesday: http://on.wsj.com/117Rq46

cinoh:

“She’s attempting to complicate these big ideas—around identity, around urban space, maybe even ideas around what an artist should think about.” The Wall Street Journal profiles Ellen Gallagher, whose first major New York museum exhibition opens on Wednesday: http://on.wsj.com/117Rq46

(Source: newmuseum, via foxontherun)

florels:

brianwferry:

Lauri Kranz of Edible Gardens LA photographed in a Beverly Hills home garden, Feb. 2013
(Photo: Brian Ferry)

her hat is so cute

florels:

brianwferry:

Lauri Kranz of Edible Gardens LA photographed in a Beverly Hills home garden, Feb. 2013

(Photo: Brian Ferry)

her hat is so cute

(via freeasheaven)

windows 

windows 

(Source: italixs, via emotioncaptured)

artslant:

Gabriel Lester, The Secret Life of Cities, 2013, installation view; Photo: Gert Jan van Rooij; Courtesy of the Artist and Galerie Fons Welters.