About Me

Tatiana. Art interning in NYC. Avid gardener, visual thinker, maker, vegetarian, ☼Gemini. BFA-fine arts (painting/drawing). Love all that's good for body & soul, genuine expression in all forms, enlivening conversations, gallery-crawling, coffee shop-studying, & intellectually exploring this city and our world. The simple complexities in life create meaning for my reality.

❁ Real happiness lies in that which never comes nor goes, but is." -Yogi Bhajan ❁

This is my mental refreshment, little spiritual space & storage of discoveries, as I find myself, and the "unself".

ask~say~greet

“The earth my altar, the sky is my dome, mind is my garden, the heart is my home and I’m always at home - yeah, I’m always at Om.” — Eden Ahbez
~ ~ ~ ~ ~ ~ ~ ~ ~

Earth my altar~ Mind the garden~Sky my home

charislogia:

colorschemer; appalachianlovesongs:

Hung out in this joint all day yesterday. #jamesriver #appalachia #virginia #naturalbridge #riverrat

21 notes

36 minutes ago

Amir Zaki（American）
Tree Portrait #29, from “Time Moves Still”
Ultrachrome Archival Photograph Copyright - Amir Zaki 2012

Amir Zaki（American）

Tree Portrait #29, from “Time Moves Still”

Ultrachrome Archival Photograph Copyright - Amir Zaki 2012

(via iloverainandcoffee)

166 notes

8 hours ago

ayablume:

Daughter :: Get Lucky (Daft Punk cover)

(Source: youtube.com)

2 notes

18 hours ago

galasai:

Camila Massu

Swimming in the Rain, 2012

1074 notes

18 hours ago

Cypress, Pebble Beach, California. Gum bichromate print, Henry Ravell, 1910s (via The Metropolitan Museum of Art)

Cypress, Pebble Beach, California. Gum bichromate print, Henry Ravell, 1910s (via The Metropolitan Museum of Art)

(via iloverainandcoffee)

76 notes

1 day ago

workman:

bartleby-company:

Eva Hesse, Untitled, 1967. Ink on graph paper, 11 x 8 1/2 inches (27.9 x 21.6 cm) © The Estate of Eva Hesse, Hauser & Wirth Zürich London

(Source: artingeneral)

182 notes

1 day ago

louisezhang:

Fabian Marcaccio, Corpse- Variant Paintants exhibition, Cologne Gallery Schmidt Maczollek, 2011

I watched/been watching this video quite frequently since discovering Marcaccio a while ago, mainly that epic 3:28 sequence of the enviroment paintant. It’s pretty yum (and a wee creepy) especially if you’re inclined towards painting or ‘expanded painting’.

Love his last words on the possibility to have a more holistic view in painting, beyond the formal skills on mastery

18 notes

1 day ago

“So perception and expression should be kept apart. Connection between them is semiotically important only when we, finding that conscious ideas are above all visual, presume that they can be represented on a picture more closely than in words, as the visible. In the present case, to define the subject clearly, we have to give up the connection between perception and cognition on the one hand, and expression on the other hand. Obviously we see the real world in one way, and express it in another way. Obviously central perspective does not correspond to our actual perception of space. The dependance of presumable sight on the conventions and traditions is hypothetical and is always estimated according to the aspects of visible (beautiful, good, useful). We can only depart from what is given, from the pictorial representation, because it is not connected with vision immediately, and in many ways surpasses the threshold of perception.”

— Virve Sarapik, A Verbal Space – Intersecting the Visible (via louisezhang)

6 notes

1 day ago

cinoh:

“She’s attempting to complicate these big ideas—around identity, around urban space, maybe even ideas around what an artist should think about.” The Wall Street Journal profiles Ellen Gallagher, whose first major New York museum exhibition opens on Wednesday: http://on.wsj.com/117Rq46

(Source: newmuseum, via foxontherun)

94 notes

1 day ago